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Famous Fiction Scapegoat Search result for 'Famous Fiction Scapegoat':
Paper Excerpts: ... certain distinction between a fiction and a non-fiction, when a viewer is watching a fiction he knows that this is a "construction" irrelevant to both fictional and non-fictional status, by doing so he can claim that non-fiction account [1] But while in both her fiction and non-fiction Walker has courageously pointed to a set of specific historical, "construction" irrelevant to both fictional and non-fictional status, by doing so he can claim that non-fiction account certain distinction between a fiction and a non-fiction, when a viewer is watching a fiction he knows that this is a ...
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Sources list for FAMOUS FICTION SCAPEGOAT: Blaine, Davies. "Historical Fiction - How Much Truth, How Much Fiction." Historical Fiction and Idaho U.S. History Curriculum. Internet, 1/17/2004. http://education.boisestate.e du/bdavies/truth-fiction.htm. Blaine, Davies. "Historical Fiction - How Much Truth, How Much Fiction." Historical Fiction and Idaho U.S. History Curriculum. Internet, 1/17/2004. http://education.boisestate.e du/bdavies/truth-fiction.htm.“The Playmaker†by Thomas Keneally McCullough, Kate. (1999) "Kate Chopin and (Stretching) the Limits of Local Color Fiction." Regions of Identity: The Construction of America in Women's Fiction. GALE Resource Database [Online]. Information Retrieved June 8, 2004. The Stories of Kate Chopin Roberts, D. Home page. Philosophy and Science Fiction: An Introductory Jaunt into Philosophy Through Science Fiction. March 20, 2000. < www.geocities.com/Athens/Delphi/2517>. The Ontological Argument Gillis, Christina. "Where Are You Going, Where Have You Been?": Seduction, Space, and a Fictional Mode." Studies in Short Fiction, 1981.18.1. Ebsco Resource Database. Site Accessed May 07, 2005. <http://www.searchepnet.com> "Where Are You Going, Where Have You Been?†Thompson, Jon. "The Power of Knowledge: Poe's Detective Fiction and the Ideology of Rationalism." Fiction, Crime, and Empire: Clues to Modernity and Postmodernism. Urbana: U of Illinois P, 1993: 43-59. Twin Peaks's Agent Cooper More sources on "FAMOUS FICTION SCAPEGOAT"
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