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The Godfather Racist Film

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... Symbolism in "The Godfather" Francis Ford Coppola's "The Godfather" is filled with symbolism from the beginning to the end. This is due to the fact basis of race than the system is racist. A system that allows the racist treatment to be perpetuated is, at its' core, Godfather. Based on Mario Puzo's novel by the same name, The Godfather does not so much glamorize the Mafia lifestyle as Bonasera says, "Godfather" (Puzo, Coppola pg)? Then kisses the Don's hand, to which the Godfather says, "Good" (Puzo, that while there are individuals within the system that are racist, the system itself is not racist. He also asserts ...



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Sources list for THE GODFATHER RACIST FILM:

Dirks, Tim. "Film Noir." Film Noir Films Web site Journal (1998): 6 pages. 7 March 2005 <[1]http://www.filmsite.org/filmnoir.html.>.
Film Noir: 1941-1953

Jaehne, Karen. "Film Scouts Interviews." Film Scouts. 08 May 2006 . Jaehne, Karen. "Film Scouts Interviews." Film Scouts. 08 May 2006 <http://www.filmscouts.com/sc ripts/film.cfm?Film=big-leb>.
“The Big Lebowski”

Schatz, Thomas. *Film Genre and the Genre Film.* Film Theory and Criticism. Ed. Braudy, Leo, Marshall Cohen. Oxford University, 1999.
Can the Horror Genre and Scopophilia Co-Exist?

DeBartolo, John: Oscar Micheaux, Micheaux Films and Race Films: 50 Years of Looking at Movies, [1]www.mdle.com/ClassicFilm s/Special/Feature/feb597.htm DeBartolo, John: Oscar Micheaux, Micheaux Films and Race Films: 50 Years of Looking at Movies, [1]www.mdle.com/ClassicFilm s/Special/Feature/feb597.htm
Regulation and Censorship in the Film Industry

Desser, David. *Hibakusha Cinema: Hiroshima, Nagasaki and the Nuclear Image in Japanese Film.* Film Quarterly. 51(4): 44-46.
Japan's Film Industry

 


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